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On July 27, , the world lost a prestigious talent. The US actor, playwright and musician. His play Buried Child, won him the Pulitzer prize for drama in In my view the interplay between Harry Dean Stanton and Nastassja Kinski in the following scene is one of cinemas finest moments. The band also comprised Peter Stampfel on vocals and electric fiddle, Steve Weber on guitar and vocals and Lee Crabtree on piano and organ. Their inventive deconstruction of US country-folk traditions and blithe send-up of musical Americana, was even more eccentric and anarchic in terms of its execution in their masterpiece, Indian War Whoop
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The Holy Modal Rounders: albums, songs, playlists | Listen on Deezer
Then again, there are few things as flat-out fun as watching Peter Stampfel perform. A long-time musical provocateur, Stampfel has been playing music in and around the New York City area since the early s. In researching Stampel, I discovered a fiddle, banjo and guitar player who musicologists revere for his ear and his varied melding of musical traditions. I also found myself on the trail of an insightful, hyper-connected, eager-to-collaborate, self-described former speed freak who loves to make music. Stampfel can demystify almost any topic, including the function of melody or the value of dissonance, and make it as approachable as a peanut butter and jelly sandwich. Besides, who cares about some far-fetched, hippy-come-lately trip? Eventually, I will watch it; I decided that a couple of years ago.
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The Holy Modal Rounders were almost the very definition of a cult act. What makes the Rounders unusual in this regard is that they owed primary allegiance to the world of acoustic folk -- not one that generates many difficult, arty, and abrasive performers. The Holy Modal Rounders were not so much a group as a changing aggregation centered around the two principals, Peter Stampfel and Steve Weber. When the pair got together in , the intention was to update old-time folk music with a contemporary spirit.
He was His death was announced by the Davis Funeral Home in nearby Clarksburg, which did not give a cause. But while most of their peers approached old material with reverence, Weber and Stampfel stood out with their spontaneity and almost boyish mischief. Their antics did not endear the band to folk purists, although Weber, who grew up in rural Bucks County, Pennsylvania, was noted for his mastery of traditional guitar styles.
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